ARCHEOLOGY BEYOND ARCHAĪOS

ARCHEOLOGY BEYOND ARCHAĪOS

Dawid Kobiałka, Mikołaj Kostyrko, Kornelia Kajda


ARCHEOLOGY BEYOND ARCHAĪOS. A CASE STUDY OF A PRISONER OF WAR AND INTERNMENT CAMP IN TUCHOLA (KUJAWY-POMERANIA PROVINCE)

KEY WORDS: archaeology of the recent past, prisoner of war camp, memory, heritage, materiality, remote sensing, LiDAR, Tuchola

SUMMARY

The starting point for this paper is a growing archaeological interest in the studies of material culture and landscapes from the recent past. It is argued that traditional approach towards archaeology as science that studies the ancient and the very old is too narrow to embrace the whole diversity of the archaeological research in the contemporary times.

Within contemporary archaeological discourse, there are a few terms that try to account for archaeology beyond archaīos. One can just refer to: the archaeology of us, archaeology of the contemporary past, archaeology of the recent past, archaeology in and of the present or archaeology of the contemporary world. Not being synonymous, these term nonetheless share a conviction that it is material culture, no matter how old or new, that is the constitutive element of archaeological practice.

The discussion concerning recent reconfigurations in archaeological theory and fields of interest is used in the article as a background for the practical presentation of the epistemological potential of archaeology oriented on material culture and landscapes from the recent past. As a case study, the authors use the remains of the prisoner of war and internment camp in Tuchola (Kujawsko-Pomorskie Province, Poland). The camp was run between 1914 and 1923: during the First World War, by Germans and then, during the Polish-Soviet War, by the Poles.

First, the paper shortly discusses the history of the camp on the basis of the available historical data. Second, following archaeological interests in the transformations of landscapes related to modern armed conflicts, the authors analyse and document the remains of the camp using LiDAR-derivatives. The article concludes with the thesis that the materiality of twentieth-century landscapes should become the subject of closer archaeological attention. Along these lines, LiDAR technology can be also a useful tool in the context of approaching such landscapes.

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The article was originally published in Polish at Folia Praehistorica Posnaniensia.

Summary and photos are published with the permission of the Authors.

Mon cher Chopin and “Correspondence des arts”

Mon cher Chopin and “Correspondence des arts”

The Creative Group Symfonia seeks to combine various fields of art based on Polish indigenous music, poetry and literature. All this is embedded in the landscape of Polish spirituality and romantic tradition.

Vernissage of the “Mon cher Chopin. Pictures inspired by Chopin’s music” exhibition:

19:00 | Wednesday, 28 June 2017
PROM Kultury Saska Kępa, Warszawa
Free entrance

https://goingapp.pl/embed/893784

Curators: Anna Forycka-Putiatycka and Barbara Bielecka-Woźniczko

The Burren. Memories from the Middle-earth

The Burren. Memories from the Middle-earth

Dabrowka Stepniewska


The Burren is a limestone plateau in north County Clare, Ireland, dominated by karst landscape. It measures at least 250 square kilometers. This extraordinary region is rich in natural and cultural attractions. Traveling via the Wild Atlantic Way, along the rocky coast of the Atlantic Ocean, through the limestone desert interspersed with the green hills and valleys, you have the impression of traveling in time and space. In a moment you are back to the Neolithic Era, in the other you are crossing the gate to the world of fantasy full of Little People, Feries and other amazing creatures well known from the J.R.R. Tolkien works.

The name Burren comes from the Gaelic and means a rocky place. Historically, the name referred to the Barony of Burren situated in north-west County Clare. Geographically, the name has a wider meaning. The area lies between Galway Bay on the north, the Atlantic coast on the west and a line drawn through Doolin, Kilfenora, Gort and Kinvara. However, outside this area you can also find the limestone features, but not as frequently and concentrated.

The Burren, County Clare, Ireland
The Burren, County Clare, Ireland

The Burren is the youngest landscape in Europe and has suffered intense glaciation. The last one occurred about 10 000 years ago. You can find here almost all typical limestone landforms, like underground rivers, swallow holes, glacial erratics, caves, clints, grykes and closed depressions. The limestone is an organic sedimentary rock laid down millions of years ago in a shallow warm sea, it is the result of marine plants and animals dying and accumulating in horizontal beds on the sea floor.

The first people to arrive in the Burren were hunters and fishermen who moved into animal husbandry with the keeping of cattle, sheep and goats. From the results of research and archaeological excavations a lot of information has been gathered about the life and death of these early settlers. There are numerous monuments and tombs dated to the Neolithic Era from, ca. 4000 – 3000 BC. The tombs of the first farmers, widely known as megaliths, are impressive monuments over the graves of their dead.

Poulnabrone Dolmen, by Steve Ford Elliott
Poulnabrone Dolmen, by Steve Ford Elliott

The Burren is also well known for the remains of over twenty churches constructed between the 6th and 12th centuries. These are evidences of the spread of Christianity in this region and traces of stay of the early Irish missionaries, like St. Colman and St. Cronan, who laboured in this remote area. Most of these churches are of architectural interest and in most cases their patrons and founders being known and revered.

The Corcomroe Abbey is one of these remains, sited among the grey hills and valleys of the Burren. It is best known for its lonely situation. The abbey acquired the name of Sancta Maria de Petra Fertili (St. Mary of the Fertile Rock) which reflects the fertile nature of the Burren lands. It has been built in the 12th century and used by the Cistercian community for the next 400 years.

The Corcomroe Abbey

In a countryside like the County Clare, isolated from the rest of the country by the river Shannon, with so many visible remains of the past and an extraordinary landscape that stimulates imagination, the folklore was rich and survived over the centuries maintained by the Gaelic language. It has left many material and immaterial traces in the landscape and in the literature.

Recently it turned out that the magical landscape of the Burren may have inspired J.R.R. Tolkien to bring to life the Middle-earth – the central continent of the Earth in Tolkien’s imagined mythological past. The term is equivalent to the term Miðgarðr from Norse mythology, describing the human-inhabited world. In ancient Germanic mythology, the world of Men is known by several names, such as Midgard, Middenheim, Manaheim, and Middengeard. The Old English word middangeard descends from an earlier Germanic word, transliterated to modern English as Midgard.

Doolin Fertile Stone
Doolin Fertile Stone

Tolkien’s world famous works, like The Hobbit and The Lord of the Rings, take place entirely in Middle-earth. J.R.R. Tolkien worked as an external examiner to National University Galway in the 40s and 50s of the XX century. Galway, the most central port on the West Coast in the sheltered eastern corner of Galway Bay, located between County Galway in the province of Connacht to the north and the Burren in County Clare in the province of Munster to the south, was a great starting point for exploring the surrounding area.

It is said by the locals that Tolkien would often take trips to the lunar-like landscape of the Burren. When you consider that Tolkien was visiting the Burren around the same time that he was writing The Lord of The Rings, it is easy to see how the stark beauty of this region might have inspired him. The landscape here is certainly unusual, and for a fantasy author such as Tolkien it must have been magnetic.

The Burren, County Clare, Ireland
The Burren, County Clare, Ireland

Amongst the craggy fissures and creeping woods of the Burren there is a cave called Pol na Gollum (Hole of Gollum). The Gollum’s character is essential to the entire plot of The Lord of The Rings. Did Tolkien get the name for this miserable creature from this cave? Furthermore, Gollum in The Lord of The Rings had a distinctive gurgling cough, and at the mouth of this cave the chirps and calls of rock doves echo and transform into a similar guttural sound.

Thanks to Peter Curtin, the owner of The Roadside Tavern pub in County Clare and a member of The Burren Society Tolkien Symposium, it has been accepted that one of the most iconic authors of the fantasy literature – J.R.R. Tolkien, was influenced by the magic of the incredible place of the Burren while writing his most famous work.

Pauline Baynes's copy of J.R.R. Tolkien's The Lord Of The Rings
Pauline Baynes’s copy of J.R.R. Tolkien’s The Lord Of The Rings

Gallery

Reference:

http://www.clarelibrary.ie/eolas/coclare/places/the_burren/burren_karst.htm

http://www.ireland.com/en-gb/what-is-available/attractions-built-heritage/historic-ireland/articles/burren-and-tolkien/

https://www.theceltictimes.com/index.php/irish-stories-main-menu/the-little-people

https://www.theceltictimes.com/index.php/irish-stories-main-menu/fairy-and-folk-tales

https://en.wikipedia.org/wiki/Middle-earth#Etymology

https://en.wikipedia.org/wiki/Galway_Bay

http://www.dailymail.co.uk/news/article-3287440/Show-way-Mordor-Unique-hand-drawn-map-Middle-Earth-gives-rare-insight-Tolkien-s-mind.html

https://www.lib.utexas.edu/maps/historical/history_colbeck_1905.html

https://www.theguardian.com/books/australia-books-blog/2016/sep/26/hannah-kent-the-good-people-dives-into-an-irish-world-of-faith-and-fantasy

Sarah Parcak fulfills people’s dreams about Archaeology

Morning clouds reveal Machu Picchu, ancient city of the Incas. Peru is home to many archaeological sites — and citizen scientists are mapping the country with GlobalXplorer. Photo: Design Pics Inc./National Geographic Creative GlobalXplorer, the citizen science platform for archaeology, launched two weeks ago. It’s the culmination of Sarah Parcak’s TED Prize wish and, already, more than…

“Everyone will find things on GlobalXplorer,” said Parcak. “All users are making a real difference. I’ve had photos from my friends showing their kids working together to find sites, and emails from retirees who always wanted to be archaeologists but never could. It’s really heartwarming to see this work.”

via ‘Armchair archaeologists’ search 5 million tiles of Peru — TED Blog

Three medieval worlds and the social memory of cultural heritage sites.

Three medieval worlds and the social memory of cultural heritage sites.

Grzegorz Kiarszys


The presented book “Three medieval worlds. Iuxta castrum Sandouel” aims to tell the stories of the remains of medieval strongholds in the cultural landscape of the Góra district (Lower Silesia Region, Poland) and to restore their presence in the social discourse. The research project was financed by the Polish Ministry of Culture and National Heritage, coordinated by the National Heritage Board of Poland, with the aid from Archeo Landscapes Europe. The studies focus on the relics of early medieval strongholds and late medieval motte castles located in the Lower Silesia Region, Poland. These features are often considered as mysterious objects of anthropogenic origin. However, their original purpose and cultural value is seldom recognized by the local community.

Relatively low historical awareness in the western Poland results from the historical context of those territories. After the end of World War II, due to decisions made at the conferences in Yalta and Potsdam, the eastern part of the Third Reich was put under Polish administration. The local German population was replaced by Polish settlers from the eastern and central territories. Post-war reality in western Poland caused the meaning of archaeological and historical monuments to be devalued. Polish citizens, resettled to the western territories, perceived the landscape as “alien” or “German”. After the horror of war they were unable to recognize the heritage sites or imagine their abstractive value and identify with it. In their eyes the landscape of “Regained Territories” didn’t have any past or tradition worth to acknowledging and commemorating. Historical and archaeological monuments were not seen as their property.

On the other hand, the communistic ideology was about creating the new social order; it exploited the past for political reasons, developing interest only in specific archaeological sites, for example those related to the early Polish Piast monarchy. Such archaeological sites could later be used in the discourse of propaganda and to justify border shifts after World War II. Along with the disappearance of archaeological earthworks from the Polish topographical maps, they also vanished from the awareness of the local population, losing their cultural value. The consequence of that process had a great impact on the contemporary perception of cultural heritage in western Poland.

Archaeological sites can be valued due to their physical form and state of preservation, as well as their chronology or relationship with historic events that are considered to be important. As soon as such a place is identified and significant, it starts to play a part in contemporary social discourse, receiving a new cultural context. This can be created in relation to different roles such as education, or become an active part of the construction of social identity.

The non-invasive archaeological methods can be useful for popularizing of archaeology and widening the awareness of historical places in local societies. Application of such methods as: aerial photography (both archival and contemporary), Airborne Laser Scanning, magnetometry and historical cartography can be valuable, not only for professional archaeological landscape studies, but also in the process of construction of a narrative about the biography of specific archaeological features.

Archaeology can produce a persuasive and aesthetic background for the contemporary social discourse. Restoring the memory of archaeological heritage sites in the region, with the aid of a properly constructed narrative and visualisation of specific monuments, can revive the imagination of local society and fill in the empty places with stories being told once again.